House of Dagmar and the Swede Symmetry

by Elaine Easton

House of Dagmar is a Swedish fashion brand. And like all things Swedish the coolness factor drives the brand. But beyond the 'hip' is a foundation that incorporates classic Swedish craftsmanship. The brainchild of three sisters and named after their grandmother, the house of Dagmar is finding a strong footing in the Scandinavian industry. But their appeal as a more universal brand is likely to make them go further than most other brands in Copenhagen Fashion Week. 

The SS17 collection was a solid display of what makes HoD an emerging force within the industry. Their knitted wear along with the duotone color schemes provided enough evidence that their sense of fashion is driven by realistic goals and an astute understanding of where the market is heading. A splash of color in a mostly neutral and dark collection added wonderful contrast to the collection and showed us why they are good at what they do. While the collection was not mind-blowing or experimental to the point of being irrelevant it held up its own under conceptual scrutiny every show must go through. 

 

Ida Sjöstedt and the Silhouette of Fusion in Stockholm

by Irene Kaś

Ida Sjöstedt does not necessarily fall into the aesthetic firewall of Scandinavian minimalism. Her work focuses more on the french style silhouettes of light and airy vs the rigid line-ism of Scandi fashion. But there are still elements within her work that suggests a softer, subtler fusion between two separate identities of aesthetics. Her Stockholm AW19 show was parked on the cusp of those two worlds where pink and black contrast each other, and the ebb and flow of each silhouettes is accentuated by the ethereal feel of the clothes. Her show stood out not only because of it’s unique DNA but also the wonderful finishing that makes or breaks a collection..

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